《第一黑人总统》,2013,数码打印,104 x 104英寸

《第一黑人总统》,2013,数码打印,104 x 104英寸

Christopher K. Ho:The Autobiography of Diaspora
July 8th, 2017 2pm

Through the lens of his extensive art practice, Christopher K. Ho will focus on shifts in contemporary art theory post 1968 to the present as well as identity in a Hong Kong Chinese diasporic perspective. As an artist who was based in the United States in the 1990s who has never worked explicitly with identity, Chris sees his practice turning toward something that could become more akin to identity in the very near future—particularly his autobiographical relationship to the East Asia region.— Hera Chan

Christopher K. Ho (b. Hong Kong 1974) dissects the hidden social forces that implicate contemporary art within capitalist society. He is simultaneously an artist, curator, and critic based in New York and Hong Kong. His solo exhibitions have been reviewed in the New York Times, LEAP, RanDian, Artforum, Art in America, Modern Painters, and ArtReview. He has also written for Modern Painters, Performing Arts Journal, Flash Art and ArtReview, and taught at RISD, Cranbrook Art Academy, and MICA. He is currently at work on an augmented reality project for Art Production Fund that opens in October, and his forthcoming solo show opens at the Bronx Museum in New York in February 2018.

何恩怀:流散自传
2017年7月8日 2pm
 

通过大量的艺术实践,何恩怀将自己的创作焦点从1968年后的当代艺术理论转向了当下,同时他的创作也聚焦于流散的香港身份研究。作为一名自九十年代起就常驻美国但从未以身份问题为题的艺术家,何恩怀的实践在未来将会更多地接近于身份问题的探讨——尤其是他与东亚地区之间自传式的关系。

——陈思颖 

何恩怀(1974年出生于香港)剖析了资本主义社会之中影响当代艺术的隐藏的社会力量。他同时也是常驻纽约及香港的艺术家、策展人以及评论家。他个展被《纽约时报》、《艺术界》、《燃点》、《艺术论坛》、《Art in America》、《Modern Painters》以及《ArtReview》等媒体报道。他也为《Modern Painters》、《Performing Arts Journal》、《Flash Art》以及《ArtReview》撰稿,同时任教于罗德岛教育学院、匡溪艺术学院以及马里兰艺术学院。他目前正在为即将于十月启动的艺术生产基金会的AR项目工作,他的个展将于2018年二月在纽约布朗克斯美术馆开幕。